Fusing ethnography, documentary, fantasy, and historical inquiry, Huertas Millán’s “hyphenated” moving image works develop a decolonial approach to ethnography. Engaging strategies of survival and resistance, her Ethnographic Fictions project, developed...

Quiet and complex, Milhorat’s video and film work utilizes landscape and duration to transform notions of space and perspective, expanding upon and disrupting experimental forms. Her cinematic research examines ecology...

Blake’s projects range from short films to live projections and installations. Her 35-channel installation Lasciare Suonare (2019) for Place des Arts in Montréal, combines archival images, recordings and animation to...

Popa’s Symphony in Aquamarine (2018), filmed on four continents, examines our relationship to water, the sea and the ocean. His film develops sensory and haptic cinematic approaches to explore the...

Setel addresses the politics of visuality and the material constitution of image. Drawing on expansive documentary and poetic forms, May 31, 2018 (2019) combines phone conversations and long gazes out...

Beaulieu-Cyr’s debut feature Mad Dog Labine (2018) follows youth from Pontiac, a forgotten territory of Quebec marked by crises in the forestry industry that exists on an ambiguous line--between provinces,...

An evening of Kevin Jerome Everson films curated by Iso E. Setel. The films: Company Line (30 mins), Pictures From Dorothy (5:30 mins), Fifeville (15 mins)

Weaving choreography and imaginary narratives into fact-based stories, Sommer’s work-in-progress A Sea Without Fish dramatizes the gestures of memory. Portraying bodies entangled in history and conflict, her work offers an...

A woman spends her days editing scattered images of Russia and Japan inherited from an absent lover. The images slowly coalesce in Yaroshevksy’s melancholy and poetic first feature, La Version...

A screening of Deborah Stratman's The Illinois Parables (2016), curated by Jean-Jacques Martinod.